In a band mix it's less of an issue because it's the kind of lower end detail that gets steamrolled by the other instruments, but for a solo acoustic performer – and especially a percussive one who needs that body sensor for that physical dynamic – it could be very important. If you're playing acoustic alone plugged in, the nuances a body sensor can provide when mixed with the articulated attack with a piezo undersaddle pickup can provide a crucial depth to the sound that offers a sense of 'realness'. The neck screws would need to be loosened slightly before any adjustment with Micro-Tilt. The same allen key wrench Fender provides for that can also be used to for the Micro-Tilt feature on the neck plate it adjusts the angle of the neck in relation to the body, should that become an issue. You can't intonate the strings on an Acoustasonic, as it has an acoustic bridge, but you can adjust the truss rod to account for changes in tension due to string changes. If you're tuning down a heavier set might pay dividends too. Electric guitar strings will improve the response and articulation with the Shawbucker but you'll lose tonal quality with the acoustic modes – surely the principal draw here.Īn 11 gauge set feels about right for us in standard tuning coming from acoustics fitted with lighter gauge strings, but electric players may prefer 10s. We would stick with an acoustic set though. The wound G here might also pose challenges for players with bending. We're not convinced from the amount of string noise we experienced that they're the optimum coated choice for players and we'd recommend experimenting. The Acoustasonic Player Jazzmaster ships with Fender's Dura-Tone 860CL Coated Phosphor Bronze in a 011-.052 gauge set. Clearly Fender's SIRS (Stringed Instrument Resonance System) waterfall soundhole is no mere gimmick and genuinely enhances the unplugged response. Don't expect a big bottom end from a guitar with a body that's only 46mm deep but we happily sung with it at home, and it projects more acoustically, though is more compressed, than the US model we have to compare. The Jazzmaster Acoustasonics are slightly louder acoustically than their hollow brethren, but they won't be giving even your parlour flat top sleepless nights. They're great house guitars and as most of us do most of our playing at home that's a big deal. The effect of this becomes apparent before even plugging in, and again highlights a huge strength of all the Acoustastonic guitars for us. A Jazzmaster places the neck further forward and encourages high fret exploration. The Strat, Tele and Jazzmaster Acoustasonics do not bear too much scrutiny to their traditional electric guitar equivalence in terms of electric tone chracter – and that's especially true of the Shawbucker – but the shapes do impact the playing experience. Plus a body sensor for percussion-style guitarists. The US-made model features an ebony fretboard and ten different voices via a five-position switch – including a third pickup source, a body sensor.Īn electric nylon-string guitar with a neck to attract electric guitar players. The plugged-in options make it ideal for not only classical and latin, but jazz. Fender American Acoustasonic Jazzmaster.This offers a Noiseless Tele pickup with position three sounds based on a Mahogany Small Body Short Scale and Rosewood Dreadnought
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